The Intersection of Art and Design

Sometimes we are all so busy just keeping up that we don’t get a chance to take a step back. But that’s of course when we really absorb what we read and see and are able to connect the dots. When I saw a post about product designer Scott Henderson on the Tory Burch blog today, it reminded me of something I’ve been meaning to post for a while. Henderson has designed everything from baby bottle dryers and ergonomic dustpans, such as this one for OXO,

Finding Art in the Everyday

to furniture, like the steam-bent plywood Slat chair, below, for Mint, the design collective of which Henderson is a co-founder,

Art of the everyday objectswhich led to the world of superyacht design. His Quillon motoryacht, below, is inspired by a scabbard, the protective guard of a saber sword.

Finding art in the everyday

When asked what good design is, Henderson replied “Something that’s very well thought out and works not only on a functional level but on an emotional level.” So although he designs superyachts, his primary work as a product designer is ”transforming the mundane” into well designed utilitarian objects. He advised making thoughtful choices when updating your house, not only with the large furniture but also the smaller utilitarian objects, so that everywhere you look, there is a story to tell.

The intersection of art and design

And it is this junction of where art meets design and of the emotional connection to what we live with that reminded me of a fascinating talk I attended at D&D spring market last May. Consultant Susan de Menil and retail impresario Murray Moss met at the Fortuny showroom to chat as part of the Design Loves Art series.

The intersection of art and design in the Metropolitan Museum's Wrightsman Galleries

The seminal question was how do we decide what is art and why does there seem to be such a schism between functional and non-functional art. Why are most museums, for example, so departmentalized when that is not how we live? (Exceptions including The Metropolitan Museum’s Wrightsman Galleries for French Decorative Arts and the new American wing, both offering marvelously vivid evocations of history) Why is furniture in one place, decorative art in another and sculpture somewhere else? And why is the chair not necessarily considered as art in the same category as the painting? A lot to consider!

Art and Design at Fortuny NYC showroom

Moss suggested that perhaps decor is the glue that holds it all together, for the way we experience what we define as art and design is in most cases residential. We live with these subjects fused and the interior designer is frequently the master of the mix. And what better place to discuss such subjects than at Fortuny, whose founder was at the intersection of art and design before that concept was even acknowledged. A true renaissance man, he championed both functional and non functional art forms before multitasking and interdisciplinary were words.

Art and Design in the de Menil Philip Johnson house in Houstonphoto by Balthazar Korab

So the broad question is what exactly is art and how do you live with it. And who is responsible for nurturing the juxtaposition between art and design if our institutions are not providing us with models? Moss and de Menil discussed the interesting example of  her inlaws famous Houston house, above. Designed by Phillip Johnson, the hiring of couturier Charles James to decorate caused such a rift that Johnson was never to include the structure in any of his monographs. Having spec’d rooms with severe ascetic furnishings, he felt James’ inclusive designs destroyed his temple to Modern Internationalism. But the de Menils, with five children, wanted to live with what they had and loved.

Isamu Noguchi coffee table

So if furnishings are functional does that relegate them to the merely functional? Is a Noguchi coffee table merely a functional object or is it art that happens to have a function? Moss questioned why art is devalued just because you can put a drink on it. At the end of the day, art and furnishings are seen together. Wouldn’t your Rothko benefit from being in the same room as a beautiful functional object, one that has to be there anyway?

The juxtaposition of art and design in this Lobmeyer crystal

The world of objects provides another emotional connection for the user. Moss and de Menil agreed, for example, that drinking from a beautiful fragile glass, (such as the exquisite Josef Hoffman Patrician Glass Service above, designed in 1917 and produced by J L Lobmeyr) is experiential. It is a behavior modifier that has a positive effect on everyday life. And isn’t that what art is about? So where do you draw the line between art and design and is it decor that is responsible for their working successfully together as emotional connections telling a story for an enriched everyday experience?


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7 Responses to The Intersection of Art and Design

  1. Lucrecia says:

    Love this post. Very interesting points of view.
    Thanks !

  2. pve says:

    Stacey,
    Wonderfully thought provoking post. I do think that the intersection of art and design is all about the appreciation for creating a life to enrich one’s senses and surroundings. In many ways, the smallest of object designed in an artistic way can certainly bring a positive result or at least elevate a chore of sweeping to an art.
    pve

  3. Thank you–this post has inspired me to ask so many questions; to bring to consciousness what I have been pondering just below the surface. Yes, a chair, a table, a glass, even a lowly pillow can be fine art. Thanks. Mary

  4. Beautiful images Stacey and this post really makes you think. Funny even yesterday in my dining room, since I’m trying to get it ready for the holiday, II was thinking how best to bring pieces we have in there to a more focal point. Love this post.

    Enjoy your Sunday and Happy Thanksgiving!
    XXX
    Debra~

  5. Franki Parde says:

    And…that is why Scott Henderson is genius. Now…was he born with that particular genius or was it learned… You love what you love. franki

  6. Stacey, great post! you raise alot of thought provoking questions. The 20th century modernists introduced “form follows function”, thus the approach to design that addresses human needs, and the field of ergonomic design – OXO is a great outcome of intentional design. Decor, furniture, fashion, art – it’s the most successful when it’s well-designed, with human factors in mind. Enjoyed reading this, and your points on the intersection of art & design! Carol

  7. Great post. I wish I’d been there for that discussion! Why is it when something is created for a specific purpose–a chair, a coffee pot– it is considered “design”? Is it simply art for art’s sake that qualifies a piece as “art”? It isn’t even dictated by medium. Sculpture is a fine art form, but if its casts in aluminum and holds coffee, it enters the realm of design. Is a beautifully designed Valentino gown not (truly) considered art simply because it functions as clothing? Or brilliant typography, like the work of Paul Rand, not art because it communicates a message? Origin of painting after all, was to communicate. Regardless, I love the idea of decor as the glue, fusing art and design to enrich our lives and enliven our senses. I once had to create a mock poster for a made-up furniture line back in graphic design school. I think the tagline aptly expressed this idea: Form follows functions, sometimes it reaches art.

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